Chris Rivers brings the this week over Mac Miller’s “Fight The Feeling” with his own rendition “Can’t Fight The Healing” where Chris paints the picture of someone with a broken heart attempting to find connections elsewhere which are ultimately shallow and unfulfilling. It’s clear that there is a need of time for healing.
This one is more raw and vivid with the slower more tonal flow that Chris has been showing lately. Like share and support!
Wednesday, May 23, 2018
Chris Rivers | Can't Fight The Healing
Chris Rivers brings the this week over Mac Miller’s “Fight The Feeling” with his own rendition “Can’t Fight The Healing” where Chris paints the picture of someone with a broken heart attempting to find connections elsewhere which are ultimately shallow and unfulfilling. It’s clear that there is a need of time for healing.
This one is more raw and vivid with the slower more tonal flow that Chris has been showing lately. Like share and support!
Shon Roka (pronounced Shaun Roca) the DJ also known as Shaun Ortega was born on the west-side of Chicago. He started gaining fame as a bboy in 1991 and later became a member of a well known crew called the BRICKHEADZ. He would perform for such artist and events such as The Roots, KRS One, Immortal Technique, Dougie Fresh, Common, Rhymefest, Cypress Hill, Pharoah Monch, Nas, Diddy, Mariah Carey, Taste of Chicago, Lollapolooza, Looptopia, B96 Summer Bash just to name a few. The BRICKHEADZ also won many breakin' competition nationally and internationally. While Shon Roka was being active as a bboy he was working on his craft of being a DJ.
DJing for w/ Nike, Jordan, Under Armour, Adidas, Vans, Uprise (Chicago) Skateshop for numerous in-stores, sporting events, galleries and corporate outings. Also Shon Roka is a resident DJ post Covid in Chicago at McGee's, Tantrum, Imbibe and Harbee's. While being a DJ, he has been teaching music production and the Art of Skateboarding through Maggie Daley's After School Matters. Also known as Gallery 37.
For more information contact via email.
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