Friday, March 6, 2015
KingUnderground | Pings & Mr Brown | Look EP (Audio Snippets)
"Look" is a 6 track instrumental project by Pings & Mr Brown. All the tracks have been created by sampling a multitude of cover versions of a well-known song from the late 60’s. The initial idea for the project came about when the two producers over the years exchanged beats they had created from different versions of the song. This resulted in a perfect concept for a record.
Graphic design and visuals play a vital role in all KingUnderground releases and this project is no exception. It has been influenced by jazz record sleeves from the 60’s - 70’s, in which, instead of showing the artist on a graphically designed album cover, they used wildlife, shadows, geometric shapes and other great photographs. This deliberately created contrasts and worked with and against the grain of the album titles. In other words, these album covers made you ‘look’.
Labels:
Music
Shon Roka (pronounced Shaun Roca) the DJ also known as Shaun Ortega was born on the west-side of Chicago. He started gaining fame as a bboy in 1991 and later became a member of a well known crew called the BRICKHEADZ. He would perform for such artist and events such as The Roots, KRS One, Immortal Technique, Dougie Fresh, Common, Rhymefest, Cypress Hill, Pharoah Monch, Nas, Diddy, Mariah Carey, Taste of Chicago, Lollapolooza, Looptopia, B96 Summer Bash just to name a few. The BRICKHEADZ also won many breakin' competition nationally and internationally. While Shon Roka was being active as a bboy he was working on his craft of being a DJ.
DJing for w/ Nike, Jordan, Under Armour, Adidas, Vans, Uprise (Chicago) Skateshop for numerous in-stores, sporting events, galleries and corporate outings. Also Shon Roka is a resident DJ post Covid in Chicago at McGee's, Tantrum, Imbibe and Harbee's. While being a DJ, he has been teaching music production and the Art of Skateboarding through Maggie Daley's After School Matters. Also known as Gallery 37.
For more information contact via email.
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