Apollo Brown & Ras Kass | Drink Irish ft. Slaine & Sick Jacken | Official Video
From the album "Blasphemy" | Vocals by Ras Kass, Slaine, Sick Jacken | Produced by Apollo Brown
Directed & Edited by Scott O'Malley for Guerrilla Press | Concert Footage shot by 210 West
About The Album:
In his seminal memoir Soul on Ice, Eldridge Cleaver wrote, "All the gods are dead except the god of war." Ever since Ras Kass titled his 1996 opening salvo after Cleaver's book, the critically revered Carson, CA rapper has waged verbal warfare against all those with aims of obscuring the truth. Rappers, preachers, politicians – none have been spared from the wrath of his sharp, illuminating rhymes.
Blasphemy, the collaborative album from esteemed Mello Music Group producer Apollo Brown and Ras Kass, is a thought-provoking and highly personal treatise on the unspoken. The sub-rattling and operatic opener "How to Kill God," a scathing indictment of major religions and the transgressions enacted in their name, serves as a statement of purpose. No "ism" is out of bounds, no topic too untoward. Whatever you hold sacred isn't above aggressive inquiry.
Behind the boards, Apollo Brown orchestrates with divine aural vision. Though Blasphemy is his first album with a west coast rapper, he doesn't retread g-funk synth grooves. He also forgoes the minimal, rubbery bounce popular with the current crop of west coast talent. Amidst a sea of production crafted for the drug-addled turn up, his work is a life preserver, saving ardent hip-hop fans with hard-hitting beats made buoyant by donuts of soul and blues. On his deftly layered suites, drums hit with the force of an unabridged Bible to the dome, the samples masterfully selected and utilized. With Blasphemy, Brown has created MPC gospel, sonic scripture.
In his seminal memoir Soul on Ice, Eldridge Cleaver wrote, "All the gods are dead except the god of war." Ever since Ras Kass titled his 1996 opening salvo after Cleaver's book, the critically revered Carson, CA rapper has waged verbal warfare against all those with aims of obscuring the truth. Rappers, preachers, politicians – none have been spared from the wrath of his sharp, illuminating rhymes.
When not eviscerating MCs and poking holes in theologies, Ras Kass surrounds himself with a rogue's gallery of decorated veterans. Pharoahe Monch, Rakaa Iriscience, Xzibit, and Royce Da 5'9" are among the handful of the elite lyricists present. Each delivers their singular bars in top form, making the songs on which they appear some of the best posse cuts you'll hear in 2014.
Above all, this album displays Apollo Brown & Ras Kass' undeniable synergy. Their sacred writ is the same, their blasphemy for those who want to think as they nod to the rhythm. When Ras Kass crucifies supposed facts over Apollo's beats, it's clear he is the West Coast's preeminent philosopher. When Apollo's blaring suites soothe your soul, it's an ontological fact that he ranks among the best producers in the game. With Blasphemy, the duo has delivered the truth.
Digital: https://itunes.apple.com/us/album/bla...
CD: http://www.undergroundhiphop.com/apol...
Vinyl: http://www.undergroundhiphop.com/apol...
http://twitter.com/ApolloBrown
http://twitter.com/RasKass
http://twitter.com/MelloMusicGroup
Mello Music Group, 2015
Tuesday, March 17, 2015
Apollo Brown & Ras Kass | Drink Irish ft. Slaine & Sick Jacken | Official Video
Apollo Brown & Ras Kass | Drink Irish ft. Slaine & Sick Jacken | Official Video
From the album "Blasphemy" | Vocals by Ras Kass, Slaine, Sick Jacken | Produced by Apollo Brown
Directed & Edited by Scott O'Malley for Guerrilla Press | Concert Footage shot by 210 West
About The Album:
In his seminal memoir Soul on Ice, Eldridge Cleaver wrote, "All the gods are dead except the god of war." Ever since Ras Kass titled his 1996 opening salvo after Cleaver's book, the critically revered Carson, CA rapper has waged verbal warfare against all those with aims of obscuring the truth. Rappers, preachers, politicians – none have been spared from the wrath of his sharp, illuminating rhymes.
Blasphemy, the collaborative album from esteemed Mello Music Group producer Apollo Brown and Ras Kass, is a thought-provoking and highly personal treatise on the unspoken. The sub-rattling and operatic opener "How to Kill God," a scathing indictment of major religions and the transgressions enacted in their name, serves as a statement of purpose. No "ism" is out of bounds, no topic too untoward. Whatever you hold sacred isn't above aggressive inquiry.
Behind the boards, Apollo Brown orchestrates with divine aural vision. Though Blasphemy is his first album with a west coast rapper, he doesn't retread g-funk synth grooves. He also forgoes the minimal, rubbery bounce popular with the current crop of west coast talent. Amidst a sea of production crafted for the drug-addled turn up, his work is a life preserver, saving ardent hip-hop fans with hard-hitting beats made buoyant by donuts of soul and blues. On his deftly layered suites, drums hit with the force of an unabridged Bible to the dome, the samples masterfully selected and utilized. With Blasphemy, Brown has created MPC gospel, sonic scripture.
In his seminal memoir Soul on Ice, Eldridge Cleaver wrote, "All the gods are dead except the god of war." Ever since Ras Kass titled his 1996 opening salvo after Cleaver's book, the critically revered Carson, CA rapper has waged verbal warfare against all those with aims of obscuring the truth. Rappers, preachers, politicians – none have been spared from the wrath of his sharp, illuminating rhymes.
When not eviscerating MCs and poking holes in theologies, Ras Kass surrounds himself with a rogue's gallery of decorated veterans. Pharoahe Monch, Rakaa Iriscience, Xzibit, and Royce Da 5'9" are among the handful of the elite lyricists present. Each delivers their singular bars in top form, making the songs on which they appear some of the best posse cuts you'll hear in 2014.
Above all, this album displays Apollo Brown & Ras Kass' undeniable synergy. Their sacred writ is the same, their blasphemy for those who want to think as they nod to the rhythm. When Ras Kass crucifies supposed facts over Apollo's beats, it's clear he is the West Coast's preeminent philosopher. When Apollo's blaring suites soothe your soul, it's an ontological fact that he ranks among the best producers in the game. With Blasphemy, the duo has delivered the truth.
Digital: https://itunes.apple.com/us/album/bla...
CD: http://www.undergroundhiphop.com/apol...
Vinyl: http://www.undergroundhiphop.com/apol...
http://twitter.com/ApolloBrown
http://twitter.com/RasKass
http://twitter.com/MelloMusicGroup
Mello Music Group, 2015
Shon Roka (pronounced Shaun Roca) the DJ also known as Shaun Ortega was born on the west-side of Chicago. He started gaining fame as a bboy in 1991 and later became a member of a well known crew called the BRICKHEADZ. He would perform for such artist and events such as The Roots, KRS One, Immortal Technique, Dougie Fresh, Common, Rhymefest, Cypress Hill, Pharoah Monch, Nas, Diddy, Mariah Carey, Taste of Chicago, Lollapolooza, Looptopia, B96 Summer Bash just to name a few. The BRICKHEADZ also won many breakin' competition nationally and internationally. While Shon Roka was being active as a bboy he was working on his craft of being a DJ.
DJing for w/ Nike, Jordan, Under Armour, Adidas, Vans, Uprise (Chicago) Skateshop for numerous in-stores, sporting events, galleries and corporate outings. Also Shon Roka is a resident DJ post Covid in Chicago at McGee's, Tantrum, Imbibe and Harbee's. While being a DJ, he has been teaching music production and the Art of Skateboarding through Maggie Daley's After School Matters. Also known as Gallery 37.
For more information contact via email.
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