Solidisco | Top of the World | Original Music Video

Working with classic disco label Salsoul and artist Skyy, Solidisco's first release for Ultra is a euphoric floor filler influenced by golden era disco house like Stardust and Junior Jack.

The video is a collaboration between @LILINTERNET and Nassacre, with dancer Francis Masa and is currently in rotation on MTV Clubland.

Banana Seat | Pumpdance

DL: http://foolsgoldrecs.com/clubhouse

Banana Seat set aside the New York vs Boston rivalry with "Pump Dance", a true bumper of a Clubhouse tune. BK's Ghostdad and Beantown's Durkin stuff Technotronic-worthy throwback synths and next level club thump into their bicycle shorts before grinding all up on you and stealing your heart forever. Play ball!



Banana Seat
http://soundcloud.com/bananaseat
http://twitter.com/bananaseat

Durkin
http://twitter.com/durkinmusic

Ghostdad
http://twitter.com/ghostdad



Follow Fool's Gold!

_______________________

http://www.facebook.com/foolsgoldrecs
http://www.instagram.com/foolsgoldrecs
http://www.soundcloud.com/foolsgoldrecs
http://www.twitter.com/foolsgoldrecs
http://foolsgoldrecs.tumblr.com

Join The Goldmine! http://www.drip.fm/foolsgoldrecs

© 2014 Fool's Gold Records

Adidas Skate Copa | New York City | Part 1

We're proud to present adidas Skate Copa, New York City: Part 1 - a quick overview of the City That Never Sleeps with the adidas Skateboarding team. Part 2 drop tomorrow...

In the spirit of fun and camaraderie inherent to skateboarding, is a national shop vs. shop contest circuit broken into 5 regional stops, culminating in a massive Final at The Berrics. Each stop features tales from the road, insane contest skating from the best shop teams in the country, and of course, heavy street skating with the adidas team.

Subscribe to The Berrics - http://bit.ly/TheBerricsYoutube

Chance The Rapper | First Pitch at Chicago White Sox Game

Chance The Rapper | First Pitch at Chicago White Sox Game
Best quote was weak but secure.

Ruste Juxx | Your Song

Ruste Juxx & VStheBEST provide more visuals to their latest track, "Your Song," off their new album, 'Ready To Juxx,' out now.



iTunes: http://bit.ly/1iYCGx6
CD: http://amzn.to/1jjxt4a

Produced by VStheBEST

Talib Kweli | ART IMITATES LIFE | ft Black Thought, Rah Digga & ALBe. Back

From the Album GRAVITAS - Available at http://www.kweliclub.com



Talib On the web: http://www.kweliclub.com
@talibkweli

http://www.javottimedia.com
@javottimedia

Ab-Soul | Stigmata | Visuals

Ab-Soul | Stigmata ft. Action Bronson & Asaad



Visuals by: Dave Free & APLUS FILMZ
TheseDays...

Coming Soon #TDE

Young Roddy ft. Trademark | Legal Tender

#TGIF Reverie & Louden | Russian Roulette (Full Album)

REVERIE & LOUDEN - RUSSIAN ROULETTE (FULL ALBUM)
All beats are produced by Louden.
Project Mixed and mastered by Louden.

Get an autographed hard copy online at www.REVERIELOVE.com.
World wide shipping available.



Track List
00:00- Russian Roulette (Intro)
00:32- Russian Roulette
05:06- The One (Evacuate)
08:01- Sitting With My Head Down Pt 2 (Always Slowed)
10:56- William
14:41- Up All Night Feat Murs
18:22- Stagnant
21:28- Blue Skies Feat Self Provoked & Citrine
24:38- Rhodes
28:03- Since You Left
32:14- LA Interlude
32:42- LA Times Feat Bambu & Dye
36:03- Walk In These Shoes (Say Something) Feat Dave Allen
40:51- Palm Trees Feat Luckyiam
45:36- Triple Kick
48:45- Need Me Pt 3
53:23- Fuck What You Saying Now! Feat Eligh
57:18- While I'm Still Here
1:01:20- Always Down

Much love to all of our fans & supporters, we love you guys!
Thank you for the continued support.
Hope you like the album, it is very significant to me.
Revs

The Cypher Effect | MIC CHECK | THA YNOE

The Cypher Effect: MIC CHECK | THA YNOE

Tha Ynoe stopped by for one of our Mic Check sessions to perform "Alkahol Abuse"

Vogue Knights | Presented by Qween Beat

A look into Vogue Knights, Manhattan's premiere weekly ballroom event, featuring DJ MikeQ (Qween Beat/Fade to Mind), Omari Mizrahi, Justin Khan, Sheaboogie Mizrahi, Kevin JZ Prodigy, Tigga Tsunami, Leggo Labeija, and more.

Music: "Let It All Out" and "The Ha Dub Rewerk'd," available on Fade to Mind Records

Directed by Wills Glasspiegel
Produced by L-Vis 1990, MikeQ and Vivian Host
Shot and Edited by Wills Glasspiegel
Additional Camera by L-Vis 1990, Sean Mattison, Oliver Rivard and Joey Chirqui
Assistant Editing by Oliver Rivard



https://soundcloud.com/djmikeq
https://soundcloud.com/qweenbeat

RoxRite | In Mexico Preview

RoxRite's first time back in the mainland of his birthplace in 5 years, Mexico. Here is a sample of whats to come, a weekend trip to judge the Red Bull BC One Cypher Mexico. Follow along with RoxRite.

Shot and Edited by Daniel Zhu from Stance

Brought to to you by RoxRite and The BBoy Spot

Universole 2014 Trailer | Detroit, MI | Soul VISION

1st annual House & All Styles Urban Street Dance Event out in Detroit, MI brought to you by Cymatic Soles & HoneyBoom.

House Judges
Meech (O Trip House) - Paris, France
Poseidon (Cymatic Soles) - Detroit, MI
Tonic (Chicago Tribe/Digital Natives) - Chicago, IL

All Style Judges
Bboy Preach (G.C.O.S.) - Detroit, MI
Saadiq (Shelly Crew/G.C.O.S.) - Detroit, MI
Cryzko - Detroit, MI



2014 Winners
1v1 House | Barberik (Chicago Tribe/Digital Natives) - Chicago, IL
7 To Smoke All Styles | Soul (ILL Minded Stylez/G.C.O.S./SBK/Sour Patch) - Detroit, MI

Credits
Directed & Edited: Jade Zuberi
Music: Cloud - Innocence

BOOK OF LILOU | Video Of My Life

This is not a Fiction, but the reality of a young kid who believe in his dream.

The story of Ali Ramdani, more known as LILOU, several times world champion of break dance.
A Biopic video From Algeria to the Opera of Lyon, from the street to the stadium, Pockemon Crew, his group, his family...The odyssey of a young dancer of modern times.

The Book of Lilou is more than trailer but the story of his life.
from 1984 to 2014.

Nemo Achida | Come Alive (Prod. by Pinky Liberachi)

Off Side B available at http://www.Nemo-Achida.bandcamp.com

MAYDAY! x MURS | Serge's Song | Official Music Video

MAYDAY! x MURS | Serge's Song | Official Music Video

Freestyle Session/UDEF Pro Breaking Tour | Cros1 Interview | #SXSTV

Freestyle Session in association with UDEF and Pro Breaking Tour bring the culture an organized competition providing Bboys and Bgirls an opportunity to come away with something from battles.

Cros1 sat down with Step x Step to explain the outlook on Pro Breaking Tour/UDEF.org with Freestyle Session and other US bboy jams. Cros gives his two cents on how the new, organized tour will promote growth within the culture and build for the future of Bboying.



Pro Breaking Tour:
http://www.udeftour.org/
https://www.facebook.com/UDEFtour

Freestyle Session:
http://freestylesession.com/

AFRO HOUSE Escada Da Lapa

Amy Secada (MAWU)
Afro House Freestyle
Escada Da Lapa, Rio De Janeiro

PlayStation Plus Free Games Lineup June 2014

PlayStation®Plus membership includes free games with Instant Game Collection™ and online multiplayer on PS4™ systems.* In June, PS Plus membership includes Trine 2: Complete Story, PixelJunk Shooter Ultimate, NBA 2K14, Sly Cooper: Thieves In Time, Terraria, Mutant Mudds Deluxe, and more!



Visit https://store.sonyentertainmentnetwor... to learn more!

*Active membership required to access PS Plus features and benefits. PS Plus is available to legal U.S. and Canadian residents with a SEN account who are 18 years or older.

Questlove | Does Black Culture Need to Care About What Happens to Hip-Hop?

This is the sixth in a weekly series of six essays looking at hip-hop's recent past, thinking about its distant past, and wondering about the possibility of a future. Read the first one Click Here, the second one Click Here, the third one Click Here, the fourth one here Click Here, and the fifth one Click Here.

It's time for the showdown. Get ready for the lowdown. We've come to the end of the road.

When I started this series of columns six weeks ago, I wanted to think through a series of issues: why the bulk of contemporary African-American culture has defaulted into hip-hop, why materialistic narratives seem to dominate the genre, what has happened to the concept of black cool, what increasingly anemic sales mean for both big stars and independent artists, and where all of this leaves us.

It leaves us here, in the sixth and final column, thinking about all these things. Sometimes when you think, you come up empty. But when I go back through this series in my mind, I come up so full that I’m not sure what to do next. Three decades plus into this exciting and vibrant genre, there are some serious structural problems that seem almost insoluble. There are times that I feel that the whole thing is perched on the edge of a cliff and time is about to push it off.

When I think that, I always find my thoughts returning to music. Not to music as an aesthetic category, but to music in the social sense. Music can be created by an individual or a group, but it is meant to be heard by others. It operated that way as ritual (in weddings and funerals, in wars and parades) long before it was ever preserved as a physical product, or sold as a commercial one. Music is something that happens between people. This is true for classical music or instrumental jazz, but it's true with one added dimension for a music like hip-hop, because it's narrative by nature. As a result, it's music between people that is also explicitly about people.

These are the basics. Let's color outside the lines a little bit. Sun Ra said that space is the place, but there's race in the space also. Hip-hop is inseparable from black America and black Americans, who are either creators or consumers or subject matter, or sometimes all three. Like it or not, it exerts a pull on the black community. It can pull us up or it can pull us down or it can pull us apart.

Does black culture need to care about what happens to hip-hop? Does it need a cultural force like hip-hop at all? I can't predict the future. If I could, I'd have put a bundle on California Chrome. But I can say that black culture has needed that historically. The famous black academic Charles S. Johnson, who was instrumental in the Harlem Renaissance, published a magazine for black Americans called Opportunity; its title sent a different message than W.E.B. DuBois's Crisis, but they were two sides of the same coin. Johnson thought (knew?) that the arts were important because black Americans were denied equal treatment in many other respects. The arts, he figured, could be a site of resistance.

Resistance here doesn't mean revolution. It doesn't mean storming the barricades. Resistance means using art for the things that it does best, which is to create human portraits and communicate ideas and forge a climate where people of different races or classes are known to you because they make themselves known. In the simplest terms, art humanizes. It opens the circuit of empathy. And once that process happens, it's that much harder to think of people as part of a policy or a statistic. Art reverses the alienation that can creep into society. After Johnson, after DuBois, the Harlem Renaissance itself stalled, largely as a result of the Great Depression, and many of the economic gains made by African-Americans were lost, but cultural influence persisted. You could make an argument that it was as important as anything for speeding along the very real political and social gains of the '50s and '60s.

That's what music has been good for, historically, in the black community. Jazz did that. It forced the mainstream to see black musicians as virtuosos with complex ideas and powerful (and recognizable) emotions. How are you going to treat someone as less than human, in any way, once they've been so deeply human in full view? Soul music did that, because it addressed universal romantic problems. Who has trouble identifying with a Smokey Robinson lyric? No one human, that's for sure. Hip-hop started from that premise. It was rooted there. It didn't shy away from the fact that America, built the way it was, made certain economic and social advances difficult for African-Americans, but it also made an entire community visible, impossible to ignore, impossible to dehumanize. Hip-hop, because of the way that it was made, because of what it was at its heart, blazed new trails and also recontextualized the past. Where other musics, like disco, were plastic to the point where they started to feel like factory product, early hip-hop was the perfect music for an era of flexible accumulation: fast on its feet, fleet with its thoughts. It could range and roam and shine a light into any corner of the culture.

Six weeks ago, at the beginning of this series, I opened with quotes from John Bradford, Albert Einstein, and Ice Cube. Between them, they sketched out their own version of this idea. Bradford talked about luck and providence (“There but for the grace of God go I”); Einstein talked about community (“spooky action at a distance”); and Ice Cube talked about appetite (“Life ain’t nothing but bitches and money”). Those three ideas outline a triangle, and inside that triangle are people reflecting on their own good fortune, recognizing that they’re connected to others, grappling with their own aspirations. Hip-hop has a responsibility to these ideas, and because of that, a responsibility not to fall victim to other ideas that actively obstruct them. This responsibility doesn’t fall to individual artists in a narrow way. There will always be artists who want to be shallowly materialistic or who permit themselves to be reduced to caricature. But the broader genre needs to balance them off with other kinds of artists, other perspectives, and there’s been a steady move away from that kind of balance for the last decade at least. Culture needs to struggle against meaninglessness and flattening. That's why it's vital that one of those sites of meaningless shouldn't be the culture itself.

These may seem like uncontroversial ideas — that art should, at some level, be about humanity, and that culture should, in some way, be a tool for fighting adversity. But any support for those ideas have to have better practices attached to them than the ones that have taken over hip-hop. People pick up on the ideas that pop culture puts down, so if one of those ideas is that only so-called winners get a platform, which they then use to talk more about their winning, that will seep into the groundwater. Contemporary hip-hop worries too much about the bottom line, which is lower than it's ever been. If you dive for it, you may find yourself stuck down there. And being stuck down there means mean fewer options for future artists, more investment in stereotypical portraits of hip-hop acts (some encouraged by the acts themselves), and less empathy all around. It’s important not to let this whole thing eat itself. It's more than important. It is, in a sense, everything.

I’ll end with two examples from the early '70s, around the time I was born, when soul music seemed as if it was largely fulfilling these responsibilities. In fact, if there’s one era in the history of popular music where community awareness and social contract seem secure, it’s the soul music of the early '70s. And yet, and yet. In 1972, after the success of What’s Going On, Marvin Gaye started an album of explicitly political songs in the vein of “Inner City Blues (Makes Me Wanna Holler).” The first track from that set, and the projected title track, “You’re the Man,” went after political candidates. If you have a plan, Gaye sang, then I’ll give you my vote, but you have to handle real problems: busing in schools, urban economics. The most piercing part of the song is a repeated spoken-word couplet:

Don't you understand
There's misery in the land

Gaye had different politics than Berry Gordy, and Gordy didn’t throw much support behind the “You’re the Man” single, which stalled mid-chart, after which the album was shelved. Two decades later, after Gaye’s death, tracks started to appear on compilations. Some of these were open-ended laments for society’s short-sightedness (“Where Are We Going?”); others were more specific arguments about the dangers of controlling others (“Piece of Clay”) or the hypocrisy of objecting to sex in the face of so many other kinds of social pornography, from poverty to violence to pollution (“The World Is Rated X”). The details may have shifted, but the core of Gaye’s argument remains intact. When we resist cultural acts that directly address the complexity of the human condition, both intellectually and emotionally, we reduce ourselves. The second example is an extended quote from Bobby Womack. Is there any other kind? This particular quote is the monologue that preceded his 1971 cover of the Carpenters’ “Close to You.” In his rap, Womack doesn't talk about the complications of black cool, or the history of social responsibility in the arts. He focuses only on one aspect, which is the pressure of the market, and how it can both insidiously and obviously strip all meaning out of artwork, draining and demoralizing its artists by insisting they need to satisfy some impersonal notion of product. The fact of the matter, of course, is that Womack had no problem covering pop songs — he did it all the time, from “Sweet Caroline” to “Fire and Rain” — but he frequently added material up top or improvised to make the material more personal, more empathetic. As he goes through his monologue, Womack does exactly what he worries he isn't being allowed to do — he paints a full picture of himself as a thinking, feeling, suffering, achieving human, capable of irony and insight, impossible to reduce to a caricature.

Sittin' here sippin' on a glass of wine and I'm trying my best not to lose my mind. You know, thinkin' about the word. Heh, "commercial": That's a funny, funny, funny word! Ya know what's funnier than that? When show people use it. You know what I'm talking about, record companies, presidents, vice-presidents, producers — and a little ol' engineer. But, you know what? I feel, down in my heart, I don't care what it is. If I can get into it, it's commercial enough for me. But anyway, I remember a little while back, I walked into a recording studio with just me and my guitar. Heh. And I remember starting out on a song … sort of went something like this … well, it had the same melody, anyway. The head man called in, the president, vice-president, and just one of his producers, and an engineer. You know they all sit around with their heads dropped down while I was trying to get over. You could hear a pin fall. I know y'all know what I'm talking about. And I'm steady trying to get over. But anyway, after I got through doing my thing — or should I say, doing the best that I could — I’ll never forget what they told me. One of the cats got up and say, “I like you, and I ain't saying that you can't sing.” But as they all began to leave the conference table, they kept saying “But you're not commercial. No, you’re not commercial!" So, I went on out or, should I say, I sold out. But like I've said before, music is music, that's how it is — and that's the way it is. Well, I didn’t change my style because I still had the same heart but just like the man said, he said, “Bobby, it’s got to be funky.” I came back and said, “I want to sing something. I want to sing.”

And then he does.

Slug & P.O.S. | Talks

Slug & P.O.S. Talks Kidney Transplant, Soundset History, & If Popular Artists Matter at the Festival.

It seems like it was just yesterday when Atmosphere's Slug stopped by Sway in the Morning to discuss the Soundset Festival, and now he is back. Rappers P.O.S. spoke about his kidney transplant and why he did not write music during that time. Also, Slug talked about the history of the Soundset Festival and how it differs from other music festivals.

Apathy | Martha Moxley (R.I.P.)

Apathy - "Martha Moxley (R.I.P.)"
Produced by Apathy

Pre-order Apathy's "Connecticut Casual" album NOW at http://www.demigodzstore.com
Available on CD, vinyl and limited edition cassette! Special pre-order bundles with exclusive T-shirt and additional merch is in the DemigodzStore now. Thanks for all your support.

From the album "Connecticut Casual" - in stores June 3rd



Video directed by Andrew Camacho @officialcamacho
E-mail CamachoBooking@gmail.com for videos.

Filmed in New London CT

DJ Million Faces | Bedroom Sessions IX

Los Angeles' DJ Million Faces aka Jessie Elisarraraz flexes his turntablist muscles for this episode of DJcityTV's Bedroom Sessions. Watch as the 22-year-old puts down six minutes of classic hip-hop accompanied by scratching, tone play and blends.

Got what it takes to be featured in the next episode? Send an example video (2-4 minutes) to brs@djcity.com

NIKE BLAZER MID PREMIUM VINTAGE | FLORAL CITY PACK

WRITTEN BY: KEENAN HIGGINS/GreenLabel
New York, Los Angeles, and Chicago are sure to be heating up this summer, and Nike pays homage to their blazing pavements with a new pack of floral-themed Blazers.

All three kicks come with vintage branding, nylon tongues, and intricate colorways on the floral-covered canvas uppers. Each sneaker also comes with its own city motif: the LA edition uses “Birds of Paradise," the Chi-Town version has a chrysanthemum design to represent the city's official flower, and the New York Blazer uses a dandelion to show “wishful thinking and the quick pace” of the Big Apple.

All three will be available at select NSW retailers and Nike.com on May 31.

Tink x DJ Dahi | Men | Songs from Scratch

"Men" is a collaboration between @Tink_g and @dj-dahi-1 and the latest in Yours Truly and adidas originals #songsfromscratch series.



"Men"
Produced by DJ Dahi
Additional production by J.lbs
Mixed by Sean Tallman
Mastered by Patrick Brown

Meyhem Lauren ft. Action Bronson | 100 M.P.H.

Peep the single "100 mph" by Meyhem Lauren & Buckwild (producer) of D.I.T.C. fame. This joint features Action Bronson, and is from the album "Silk Pyramids" available everywhere, via Thrice Great/Chambermusik Records.

The Celestics | Supreme Laziness

Producer Kaytranada putting out his side-project The Celestics, in which he handles the production while his younger brother, Louie P, commands the microphone. A few days back, the duo dropped the GoldLink-assisted song "Funeral" in promotion of their new project Supreme Laziness which was unveiled today. Both of the brothers shine on the 15 track offering, while Dudley Doo, Nana Zen, ST and the aforementioned GoldLink each provide strong guest appearances.

BRIKA | EXPECTATIONS

The Miami singer-songwriter and recent signee to Art House Records has a vocal tone that rivals the best in the indie-pop business, and it won’t be tough to pull out the big-name comparisons once you’ve digested the track.

The Neighbourhood feat. Casey Veggies & 100s | Jealou$y

The Neighbourhood is gearing up to drop their first hip-hop-infused project on us with their forthcoming #000000 & #FFFFFF mixtape, and, so far from it, we’ve only heard the previously released “Lurk“; but where that track was just a solo, the LA-based group now brings in Casey Veggies and 100s to the fold to settle in to the more familiar posse-cut-style that we all associate with rap mixtapes. We’re not sure who else is going to be featured on the upcoming project, but based on ”Jealou$y” and the names it’s drawn, we’re betting the release is going to be anything but another run-of-the-mill rap-tinged body of work.
via Noisey

Noname Gypsy Ft. Akenya & Via Rosa | Take You Back

With her Telefone EP due out this summer, Noname Gypsy drops off this new single ‘Take You Back’ for us today. It features Akenya & Via Rosa, and was produced by THEMpeople.

Nitty Scott, MC | The Art of Chill | Mixtape

You may want to refer to Nitty Scott, MC as anti-turnup after one spin of her latest peace-offering, The Art of Chill. The album's title literally conveys the Brooklyn spitter's current m.o. with titles like "Feng Shui" and "Afterglow" dominating the atmosphere.

It's a personal triumph in the career of Nitty, who had to conquer Constantine-sized demons to be able to bottle her anger for the greater good of mankind.

To keep her zen poppin', she surrounds herself with the positive energy of Ab-Soul, Ski Beatz, Rapper Big Pooh, Stacey Barthe among others who keep the affair harmonious while Nitty touches on some weighty topics throughout. She even revealed how mediation helped her get to this point.

Take a listen to Nitty Scott's new 15-track project, The Art of Chill.

Dennis Smith Jr | Adidas Gauntlet | Orlando

Dennis Smith Jr highlights from this past weekend at the Adidas Uprising event in Orlando, Florida.



Follow @EliteMixtapesNC on Twitter

BATs in "Flextro Shapes" | Electro Dance x Bonebreaks | Louvre Paris YAK FILMS

Music "Pause" By TroyBoi
www.soundcloud.com/troyboi
www.twitter.com/troyboimusic
www.facebook.com/troyboimusic



Dancer FB: https://www.facebook.com/madou.bats?f... If you enjoyed it, let him know!

http://www.YAKFILMS.com

© YAK FILMS 2014

Bopping Andre | Showcase | Shut Up and Dance | #SXSTV

Boppin Andre showcased his legendary skills in Atlanta at Xcel Agency's Shut Up and Dance hosted by Marquese Scott. Making his way from the West Coast, 'Dre style and character brought the crowd together.

Tech N9ne x Rob Prior | LTD Edition Legacy Art Print | 5.28.2014

Tech N9ne "Legacy" art print by Rob Prior
Only 500 Available to the public.

One lucky fan who purchases a signed and numbered 18"x24" poster will have an exclusive, one of a kind, original painting on the back of their poster, painted by Rob Prior during his signing!

BIA | La Tirana | Original Music Video

Produced by Crystal Caines, "Latriana" is the first single of BIA's upcoming EP. Mixing spanish, trap and some venomous bars, BIA shows the world why she's the one to watch in 2014.

Label: I Am Other

YU (of Diamond District) ft Danedra Rowell | Dreams

First released on the Mello Music Group 7" Series.
Original song written by Michael Willingham Jr.
Guest vocals by Danedra Rowell

PRO ERA | THESHIFT

Butterflies (Pro Era (Dirty Sanchez x Rokamouth x CJ Fly x Dessy Hinds x Nyck Caution x A La $ole x Kirk Knight x Dyemond Lewis x Jakk the Rhymer x Joey Bada$$) produced by Powers Pleasant.

Scion AV Presents: The Shift, the EP will be available for streaming and as a free download via the Scion AV Soundcloud and on ScionAV.com on 5/27. Pro Era and Scion AV have also teamed up for a video due out beginning of June.

Pro Era is the Brooklyn collective of Joey Bada$$, CJ Fly, Kirk Knight, Nyck Caution, A La Sole, Dessy Hinds, Chuck Strangers, Powers Pleasant, The 47s (Dirty Sanchez, Roka-Mouth, J.A.B and Jakk The Rhymer). The young MCs have a developed a cult-like following with fans embracing their music & lifestyle..."That OG $wank." Fans can look forward to Joey Bada$$'s debut album, 'B4.DA.$$' this Fall.

The Shift EP is their fourth as a collective and for this special release they teamed up with Scion AV for a sample free EP that both highlights their diverse style and sound while further establishing Pro Era as the future of hip hop.



Subscribe to Scion AV for more exclusive videos and tracks from your favorite artists!

B.White | Fly (Prod. M-Pyre)

B.White | Fly (Prod. M-Pyre)

Rebel Diaz ft. King Capo| La Patrulla | Official HD Video

Video for "La Patrulla" (ft. King Capo) off of Rebel Diaz's full-length debut, Radical Dilemma. Referencing "La Patrulla"- or the 'the patrol', the police- this bilingual collaboration between Rebel Diaz and King Capo speaks to the issue of police violence, hyper vigilance, and mass incarceration in our communities

J.I.D | October/ 3 Storms ft. EARTHGANG

Mass Appeal presents the premiere of ATL emcee J.I.D's new music video for "October/ 3 Storms" ft. EARTHGANG. The track appears on J.I.D's project "Para Tu," which you can download here: http://spillvill.bandcamp.com/album/p...

Haze x OD Kush x Baby Doll | Kitchen | Official Music Video

Haze x OD Kush x Baby Doll | Kitchen | Official Music Video

Peanut Head | Footage Party | TransWorld SKATEboarding

Footage Party was filmed in and around Vista, California in 2013. It has full parts from Kurt Hodge, Rowan Zorilla, Pat Burke, Jet Caputo, Peanut, and many more.

Wiz Khalifa | SoundSet Music Festival | Minneapolis

From jail to the stage — Wiz rocked SoundSet Music Festival in Minneapolis and spoke to Tracy G from Sway in the Morning, fresh off the stage.

"I was in jail this morning from 6a to 2p in the afternoon." Wiz tells Tracy. "And at 6p in the evening, I'm on stage."
"It feels cool," he goes on to say.

The rapper was arrested for marijuana possession after he was stopped at a checkpoint in El Paso's airport, and was released on $300 bail.

While being behind bars, he admitted to taking a selfie and signing about 10 autographs. He also joked that his mug shot looks like the cover of his new mixtape, 20 Grams.



Subscribe to our page: http://bit.ly/SVsBQC

TWITTER:
http://twitter.com/RealSway
http://twitter.com/TheHappyHourwHB
http://twitter.com/DJWonder
http://twitter.com/ItsTracyG

FACEBOOK:
https://www.facebook.com/SwayCalloway
https://www.facebook.com/Sway

WEBSITE:
http://swaysuniverse.com

INSTAGRAM:
@RealSway

Sways Universe, Sway In The Morning, Rap, Hip-Hop, Freestyles, Interviews, Live, Concert, Performances, Actors, Athletes, Singers, Celebrities, Television, FIlm, Shade45, 5 Fingers of Death

5 Movies that DESERVE a TV show

With the announcement of a potential Django Unchained mini-series, we talk about which movies we'd like to see as a mini-series....

Afro House Spirit | Babson Ouest Africa

Afro House Spirit by Babson

SilentSomeone | Silent Hill ft. Yahzeed | Official Music Video

"Silent Hill" from SilentSomeone's Newest Album "I Have Company."



Album available at:
www.https://itunes.apple.com/us/album/i-h...
http://www.amazon.com/Have-Company-Ex...

Preditah | Bass Low

DJ and producer from Birmingham, Preditah. He is primarily known for producing grime music, but recently Preditah has produced some great remixes, for Disclosure and Danny Brown which really caught my attention and so we're so excited to give to you this brand new exclusive track from Preditah today...



Watch out for 'The Recipe' EP which is coming soon.

www.facebook.com/preditah
www.twitter.com/preditah

Reverie & Louden | Palm Trees ft. Luckyiam | Official Music Video

Reverie & Louden | Palm Trees ft. Luckyiam | Official Music Video



Directed & edited by Adam Roberts
Louden On The Beat!

Get Reverie Gear at www.REVERIELOVE.com
Download Reverie's Music For Free At www.loudenbeats.com www.facebook.com/reveriepug
www.twitter.com/reverielove
www.reverielove.tumblr.com
www.soundcloud.com/reverielove

Check out Louden's Music Online at www.soundcloud.com/loudenbeats
www.facebook.com/loudenbeats
www.twitter.com/loudenbeats
Contact Him At loudenbeats@yahoo.com